ConcertPulse
Bennewitz Quartet / Veronika Hagen
Laeiszhalle, Kleiner Saal (Hamburg)
They have only just celebrated their 25th anniversary – and are still going, stronger than ever. The Bennewitz Quartet, made up of four gentlemen from the Czech Republic, has established a superb reputation in the quarter of a century it has been performing. Its members are regarded as the cultural ambassadors of their homeland, revered for their warm, homogeneous sound. Now they have invited Veronika Hagen, violist in the legendary Hagen Quartet, to expand their line-up into a quintet. Their concert promises a programme full of contrasts, fluctuating between idylls of nature, the innate lifeforce, and moments of farewell. Antonín Dvořák spent his first summer in the USA not amid the hustle and bustle of New York City, where he ran the conservatory, but surrounded by the tranquillity of Iowa. A Czech community had formed in the small town of Spitville and they invited the composer to stay with them. He must have heard not only the sounds of the »New World«, but also plenty of familiar Bohemian music. At its premiere the following winter, his quintet even transported New Yorkers to this rural summer idyll, and proved an instant success. »Our will for culture was just as great as our will to exist!« wrote the Polish-Austrian composer Viktor Ullmann, recounting his time in the Theresienstadt ghetto. His third string quartet was composed there: gripping music full of a desire to survive. Johannes Brahms, by contrast, wrote his string quintet as a farewell to composing and perhaps even to life itself. Though he would go on to compose other works, his quintet is full of gentle melancholy, a look back over Brahms’ legacy.
